Sankofa movie review & film summary (2021)

At its core, “Sankofa” issues the methods Africans tried to maintain their tradition throughout slavery, and the various strategies of assimilation they fought in opposition to. It’s telling how each slave speaks with a special accent, right here, owing to their assorted origins, and talking towards the African diaspora. Rumors additionally persist of a bunch of slaves who collect in a cave to plot an overthrow. Shola turns into a part of this unit, typically signified by their carrying of pink scarves on their heads, however is hesitant to turn out to be absolutely initiated, a failing she connects together with her Christian upbringing. The identical technique of assimilation that stops Shola symbolically quick infects Joe too. A lot of the plantation already despised him for being a head slave, however as soon as he begins to recurrently attend church, typically searching for approval from Father Raphael (Reggie Carter), his mien shifts towards cruelty, finally believing each Lucy (Mzuri), a slave with a crush on him, and his mom are heathens. 

“Sankofa” is a visually enrapturing film. Gerima loves utilizing dissolves to layer that means atop of that means. Cinematographer Augustin Cubano gravitates towards golden hour pictures. The solar right here isn’t blinding, or on the flip facet, inviting. It’s all-consuming, wrapping across the panorama and viewer with the heat of the overwhelming sweat. The soundscape, an eclectic mixture of lashing whips, dizzying jazz horns, and woozy non secular moans, likewise to Mona, is seemingly trapped between whispers of modernity and the booming echoes of the previous.  

Every character bears their very own weight: the plantation’s grasp routinely sexually assaults Shola; Nunu is almost offered away; Noble awakens from his supplicant slumber to grapple with the abuse he’s wrought. There are rebellions; the as soon as heat sunny skies alters to a red-drenched signal of defiance. It culminates with Shola taking revenge in opposition to her abuser.         

Gerima’s “Sankofa” is an invocation not simply to African ancestors, but additionally the present-day viewer. It calls to consideration how historical past exists within the current, how the spirits of the long-gone can nonetheless have an effect on as we speak. Think about its closing scene: the digicam panning over an assemblage of Africans, all colorfully dressed, together with Mona, sitting on the steps of the fortress, staring out towards the ocean. It's a calling to these souls. Likewise, the legacy, magnificence, and humanist sensibilities contained inside “Sankofa” nonetheless name to us as we speak.  

Now enjoying on Netflix.



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